fbpx

Tag: Ridley Scott

Editorials

10 Great Sci-Fi Movies on Netflix

January 31, 2021
Netflix Sci-Fi [Source Variety]

Sci-Fi is an incredibly versatile genre because it allows you to explore new worlds and interesting scientific theories in many entertaining, thought-provoking ways. And today we’re going to recommend 10 great sci-fi movies that are currently available on Netflix for you to watch.  

1. Netflix Original Sci-Fi – Okja

A corporation sends 26 creatures, which were developed as a food source, across the world as a PR stunt. However, when they take one of the creatures (Okja) away, Mija (Seo-Hyun Ahn), sets out to get her back. What makes Okja special is its direction, which mixes many different elements (Science fiction, horror, comedy) together without feeling tonally confused, and Seo-Hyun Ahn’s performance which easily invests us in her struggle to get Okja back.

Netflix Original Sci-Fi Okja [Source: The Guardian]
Netflix Original Sci-Fi, Okja // Credit: Netflix

2. Hard Sci-Fi – The Martian

Mark Watney (Matt Damon) becomes stranded on Mars after his expedition team evacuates. Mark has one goal, survive. Thankfully, the world’s space agencies begin mounting a mission to rescue him. The Martian is great sci-fi. The entire cast makes their characters and the technical dialogue feel very natural. The special effects really sell the experience. And, it does a great job making the science feel accurate.

The Mars landscape in The Martian [Source: Time Magazine]
The Mars landscape in The Martian // Credit: Twentieth Century Fox

3. Sci-Fi Comedy – The Truman Show

Truman Burbank (Jim Carrey) slowly realises that his life is a TV show. He’s being filmed from every angle 24 hours a day. And lives inside the world’s biggest set. The Truman Show is a fantastic dark comedy that uses its sci-fi trappings to make great statements on humanity’s voyeuristic nature. In fact, with the continual expansion of surveillance technology, the Truman Show is more relevant now than ever.

Living in a set in The Truman Show [Source: Vulture]
Living in a set in The Truman Show // Credit: Paramount

4. Sci-Fi Action – Dredd

While on a training exercise Judge Dredd (Karl Urban) and rookie judge Anderson (Olivia Thirlby) get locked inside a futuristic skyscraper full of bloodthirsty gang members. With no retreat, the only option is to fight to the top to get out. Dredd’s futuristic setting explores many pressing issues such as the justice system and overpopulation, but it also facilitates some of the best action of the past decade.

Dredd is a wonderful sci-fi action film [Source: Syfy]
Dredd is a wonderful sci-fi action film [Source: Syfy]

5. Sci-Fi Horror – A Cure for Wellness

Lockhart (Dane DeHaan) goes to a remote wellness centre to retrieve his CEO. However, he soon becomes injured, meaning he can’t leave, and he begins to believe the facility is hiding something sinister. But what is happening and can Lockhart escape? A Cure for Wellness feels like a classic Universal horror film. Where the gothic atmosphere is thick and engaging. And the minor sci-fi ingredients greatly amplify the horror.

The Doctors are hiding something in A Cure for Wellness [Source: New York Times]
The doctors are hiding something in A Cure for Wellness // Credit: Twentieth Century Fox

6. Sci-Fi Drama – Proxima

Sarah (Eva Green) is training to become an astronaut but she must try to balance her training with her family life, particularly preparing her daughter Stella (Zélie Boulant) for when she leaves. Proxima is an amazing look at the physical and emotional hardships astronauts go through to prepare for space travel, but it’s also an affecting family drama and an inspiring tribute to female astronauts. It’s also buoyed by Green and Boulant’s excellent performances.

Eva Green gives a fantastic performance in Proxima [Source: Screen Daily]
Eva Green gives a fantastic performance in Proxima // Credit: Dharamsala

7. Alien Sci-Fi – Close Encounters of the Third Kind

After Roy Neary (Richard Dreyfuss) has a mysterious encounter with an unidentified flying object he and the government begin investigating and trying to contact alien life. Close Encounters is a fantastic exploration of how obsession with the unexplainable can negatively affect people and can also be used to cross boundaries.

Close Encounters is a classic sci-fi film  [Source: mxdwn Movies]
Close Encounters is a classic sci-fi film // Credit: Columbia Pictures

8. Steampunk Sci-Fi – Castle in the Sky

Sheeta (Keiko Yokozawa) holds the key to finding Laputa, the castle in the sky, and along with Pazu (Mayumi Tanaka), she must try to outrun the pirates and a government agent trying to find Laputa for greed and conquest. A touchstone of modern steampunk fiction, Castle in the Sky is a thrilling adventure with a fun story and wonderful characters who populate an inventive fantasy world that melds modern and primitive technology together beautifully.

Castle in the Sky is a great mix of sci-fi and fantasy [Source: Dazed]
Castle in the Sky is a great mix of sci-fi and fantasy // Credit: Studio Ghibli

9. Children’s Sci-Fi – Spider-Man: Into The Spider-Verse

When Peter Parker dies Miles Morales (Shameik Moore) must become his world’s Spider-man and defeat the Kingpin with the help of the spider-people of several realities. Into the Spider-Verse is perfect kids science fiction because it’s full of great action, gorgeous visuals, and creative use of sci-fi concepts like alternate realities. But it’s also grounded by a fantastic lead, a great supporting cast, and a positive message about carving your own path.

The Spider-people of the multiverse [Source: We have a hulk]
The Spider-people of the multiverse // Credit: Sony Pictures

10. Surreal Sci-Fi – Sorry to Bother You

Cassius (LaKeith Stanfield) begins losing touch with his roots after being promoted at his telemarketing company until he discovers a new project the company is working on. Sorry to Bother You is a vehicle for social commentary. This movie critiques capitalism, race, media and uses sci-fi elements to create a riveting dystopian portrait of contemporary life.

Effective, surreal sci-fi in Sorry to Bother You [Source: Vox]
Effective, surreal sci-fi in Sorry to Bother You // Credit: Annapurna Pictures

Those are just 10 great sci-fi movies available on Netflix. If you have any favourites we missed, let us know.

Also Read: The Future Is Now: How Sci-Fi Imagined the Future

Like this article? Get the latest news, articles and interviews delivered straight to your inbox.


Reviews

Retro Review: Alien

March 5, 2019

Today we are looking at another significant film celebrating an anniversary. As this year Ridley Scott’s Alien turns 40. Alien has become a phenomenon over the past 40 years. Spawning one of the most iconic horror movie monsters, heroines and one of the best sequels ever made. But 4 decades on, has Alien aged well? Or has the franchise it spawned eclipsed the significance of the original film? Let’s find out.

The story

While heading back to Earth the crew of the spaceship Nostromo are awakened from cryo-sleep by the ship’s computer to investigate a distress signal coming from a nearby moon. During the mission, Kane (John Hurt) is attacked by a creature, which attaches itself to him and incapacitates him. Against officer Ellen Ripley’s (Sigourney Weaver) wishes, Science Officer, Ash (Ian Holm) lets him back onboard.

Eventually, Kane is freed from the alien’s grasp. But the lifeform left inside him by the alien kills him by erupting from his chest. Now, with an alien loose on the ship, the crew must find a way to survive. Will they stop the alien? And is the alien the biggest threat to the crew?

What did I like…

You can accomplish a lot with a simple idea. The concept of a monster on the loose in a confined area killing people is nothing new. But Alien presents itself so well that the unoriginal premise never impacts it.

Firstly, Dan O’Bannon’s script is a marvel of showing without telling and natural characterization. The Nostromo crew aren’t action heroes but everyday people who just want to complete their job and go home. Actions define these people. Rather than being handed information we discover more about them and their world through their interactions. The space setting also makes most of their lapses in judgment feel warranted and serves the narrative. Because running away is impossible. Thus, when the alien begins stalking the crew, the film becomes tenser because we relate to and fear for these people. And dread is built effectively because of what is left to the imagination. The alien itself is constantly changing and the company the characters work for is just a vague entity hanging over them, playing on our fears of the unknown.

The acting of Alien also works with the writing to create a believable world in an unbelievable situation. The actors use understated and restrained delivery to sell their characters. Even their hysteria feels natural and not forced. With each actor adding something to their performance that makes them feel unique. Whether it be Sigourney Weaver’s hard attitude, John Hurt’s everyday charm or Harry Dean Stanton’s goofy obliviousness. Many of the characters are memorable. Even if the writing was not strong these actors would still be able to carry the film.

Alien Cast
Sigourney Weaver, Ian Holm, John Hurt, Tom Skerritt, Veronica Cartwright, Yaphet Kotto, and Harry Dean Stanton in Alien

And then there is the production design and direction. The first thing most people think of when they think of Alien is H. R. Giger’s legendary creature design. Which evokes many subconscious fears. But it becomes scarier because we rarely see the whole thing on screen. Instead. we see close-ups or out of focus shots of it in the background. Again playing up the idea that what we don’t see is scarier. And the gothic, mechanical set design heightens the tension. We watch as the clinically clean safe rooms slowly change to unnerving mechanized monstrosities. With the direction letting atmosphere grow naturally through long shots and attention to editing. Allowing us to get use to the safety of certain things before slowly breaking them.

What I do not like…

But while the elements work together overall there are still hindrances that prevent the movie from being perfect. The film effectively builds atmospheric tension, but several jump scares are used at random points. Seemingly just to remind the audience that they are watching a horror film – which feels cheap.

Some could also argue that the characters feel a little underdeveloped. Because the script focuses more on their actions relating to their current situation many could claim that we don’t get to know the characters as individuals. We don’t get to learn all their facets as we have become used to in films. Which will be distancing for some. Also, while the actors mostly do a good job Tom Skerritt is a weak link. Unlike the rest of the cast, he feels ill-suited for his role as leader. He never leaves an impression, coming across more as whiny than as authoritative.

Finally, there are some lapses in logic that can take some audience members out of the experience. Some are relatively minor annoyances such as Ripley risking her life for Jonesy in the finale. Which doesn’t sync up with her previous characterisation as someone who puts survival first. But then there are bigger questions. Such as: if the company wanted the alien why did they entrust the job to space tuckers rather than a group of marines or people who would be more prepared to deal with the alien? And, Ash’s presentation in several scenes make his treacherous intentions too obvious to ultimately be surprising.

Verdict

Despite its hype and long legacy, Alien is still engaging all these years later. It does rely too much on jump scares. Some characters can be seen as underdeveloped. Tom Skerritt offers little to his part. And the plot requires the audience to suspend their disbelief a lot. But these flaws never damage the movie too much.

The characters are relatable people doing a job beyond their capabilities. And the film creates effective tension by keeping certain plot elements vague and unseen. The actors are also very natural in their roles making them easy to believe and giving them an innate likability. And it’s all played out against some of cinemas best production design. Which combined with the slower direction and pace creates a palpable atmosphere. It’s easy to see why everyone gravitated towards it. A genuine classic that deserves revisiting.

Verdict: 4 out of 5 stars (4 / 5)

Alien (1979) Trailer
Reviews

Daydreaming With Stanley Kubrick

September 24, 2016

IMG_2049

Big Picture Film Club took a trip to one of the most talked about art exhibitions this summer: Daydreaming With Stanley Kubrick, held at London’s Somerset House. The exhibition featured a variety of paintings, installations, videos, and sculptures inspired by the late cinematic genius Stanley Kubrick. Much like Quentin Tarantino, George Lucas & Ridley Scott after him, Stanley Kubrick’s impressive body of work has given him a cult-like following, particularly after his death in 1999.

Curator, James Lavelle, has done an excellent job in putting together this mix-media exhibition. The 45 works on display flow effortlessly together and make for a seamless and captivating experience. While there were many great pieces of work on display, in no particular order here are some of our favourites from the exhibition:

1) Life, by Dexter Navy

This piece was distinct, in that it references current social commentary of civil unrest, as opposed to directly taking from Kubrick’s films. However, the intricate use of colour in this piece was inspired by the work of Kubrick.

2) Various Works, by Philip Castle

IMG_2615

Airbrush artist, Castle, who designed the original poster’s for Kubrick’s A Clockwork Orange & Full Metal Jacket, gave the iconic posters a contemporary redesign, and showcasing a never used alternative design for Full Metal Jacket.

3) Camera A, Scene 136, Take 1, by Thomas Bangalter

Bangalter, one half of electronic duo Daft Punk, exemplifies what Kubric’s work is about with his simple, yet powerful video piece. The slow-mo clip features a person walking calmly through a pitch darkness engulfed in flames – the fire providing the only source of light, illuminating the ground below.

4) In Consolus – Full of Hope and Full of Fear, by James Lavelle & John Isaacs ft Azzi Glasser

IMG_2611

Immediately the senses are treated to an overload of sight, sound and smell. The clearly recognisable, Lolita inspired giant teddy bears gives a sense of fun and playfulness whilst the darkness of the room and the juxtaposed neon love sign hints at sinister undertones. Empty pantry boxes reference The Shining, 2001: A Space Odyssey inspired scent from perfume designer Glasser fills the room, whilst the soundtrack comes courtesy of: Detroit techno pioneer Carl Craig, Italian dance ensemble Planet Funk – Domenico “GG” Canu and Marco Barani, spoken word artist and designer Michele Lamy, and UNKLE collaborator Elliott Power.

6) Das Problem der Befahrung des Weltraums, by Norbet Shoerner

Norbet created a 360° virtual reality recreation of the Discovery One space. Breath taking in its redesign, fans of 2001: A Space Odyssey will feel as if they have been dropped right into the movie. Definitely one of the key highlights of the exhibition!

7) History Painting, by Marc Quinn

IMG_2609

IMG_2610

Quinn draws from media reportage of social unrest, amplifying the sense of violence and unease with the contrasting use of colour.

8) The Shining Carpet, by Adam Broomberg and Oliver Chanarin

IMG_2608

Immediately recognisable, no Kubrick exhibition would be complete without the iconic print carpet from the Overlook Hotel. The print continues to inspire artists of all mediums.

9) Clockwork Britain, by Paul Insect

IMG_2612

Famous for his street art, Insect alludes to violence and the alienated youth in A Clockwork Orange by fusing 60s pop art and contemporary street art with the use of bold colours and the Union Jack motif.

10) Metanoia, by Polly Morgan

IMG_2613

Morgan explicitly exhibits the implicit sexual imagery we see from Alex and his Droogs in A Clockwork Orange. The downward pointing triangle is traditionally referred to as the chalice, symbolising the flow of water, the grace of heaven, and the womb – an ancient symbol of female divinity. Seeing this stuffed uncomfortably with a serpent, provokes very real feelings of disturbance just as when we watched those awful scenes in the film itself.