A claustrophobic horror thriller centred around a bitterly divided family.
What’s Going On?
Nick brings his girlfriend, Annji, back to his family home for Christmas after an absence of several years. It is not long before the tensions in the family boil over, particularly the racism directed towards Annji. After making the decision to leave Nick and Annji find out they are trapped in the house by metal shutters placed there by some outside power. Their only outlet to the outside world is through the television broadcasting instructions on what they should do. The already fractured family are put through increasingly intense dramas that only brings out the worst in them.
Behind The Scenes
The film is directed by Johnny Kevorkian and written by Gavin Williams and this is probably their biggest project to date. The film certainly has it’s interesting moments but neither the direction or the writing particularly stand out.
In Front Of The Camera
The main actors are Sam Gittins (Nick), Neerja Naik (Annji) and Grant Masters (Tony, Nick’s father) and they are all asked to a lot but don’t manage to pull it off. Of the three Naik’s performance is the best as she tries to withstand a familiar line of abuse, ranging from unpleasant comments about immigrants to vicious slurs yet not lose her temper. Gittins plays the dependable boyfriend and (as well as Naik) the voice of reason to the encroaching madness. Masters isn’t quite believable as the ringleader of what happens and fails to convincingly portray a normal man who goes too far.
The most recognisable member of the cast will probably be David Bradley best known as either Filch from the Harry Potter films or Walder Frey from Games of Thrones. Bradley plays Granddad – the family member who never even tries to welcome Annji or moderate his behaviour at all.
Does It Work?
The film starts off with an interesting premise of a family, already on edge, being pushed further by the horrendous circumstances. Often films where people are trapped together in a small space they start as friends or strangers but before any of the horror starts there are clear dividing lines in the group. It’s hard to not think that this is a post-Brexit film; the issues of immigration and race are specifically brought up, with each side thinking the other is utterly ridiculous and completely to blame. The first half of the film definitely works better and Abigail Cruttenden plays the mother desperately trying to reconcile the different elements of her family and maintain the peace quite well.
When they wake up on Christmas day and realise they are trapped these fault lines only harden. Tony tries to take control of the situation but that is limited to blindly following the instructions via the television, trying to disguise his blind obedience as sensible and practical behaviour.
There are a few cliches that get wheeled out and when things start getting out of hand it’s not a surprise when the most obviously unpleasant character is the first to suffer. Then there is the presence of Nick’s sister, Kate, heavily pregnant, used as justification by her husband for his behaviour and, of course, making her incredibly vulnerable.
One of the biggest stumbling blocks is that the slip from imprisonment and mild paranoia to outright violence and worse is incredibly quick. It is only hours before all manner of terrible things are being done and even with their existing problems, it’s hard to reconcile such extreme behaviour with their circumstances. Even families that don’t get along will have their limits and most people place their family’s wellbeing as the centre of their world.
What the film reminded me of most was an episode of Black Mirror, or probably more accurately, a sub-Black Mirror inspired show. The film comments on hysteria, the power of media, the fear of the Other but without any subtlety or particular originality. The film also reminded me of one of the most infamous experiments in all of psychology – Stanley Milgram’s study on obedience. Participants were asked to give electric shocks to a person every time they got a question wrong, increasing the voltage with each wrong answer. Most participants carried on past the point their victim begged them to stop with one of the researchers telling the participant they must continue. Importantly no one was actually harmed in the experiment but people thought they were harming people. The film is partially a study on obedience to authority; obeying the government, obeying your father, obeying those with power over you. Each character responds differently to these different authorities and this is one of the film’s most successful aspects.
As the film nears the end and the madness is ramped up even further the bizarreness of the ending does not feel justified. I can go along with all manner of oddness if I feel it has been earned or handled in an interesting way but it just felt silly – the worst thing that can happen to a horror film.
Overall Await Further Instructions is not a good film, despite a good beginning and an intriguing idea of bringing the division of the country into one home. I would say in its defence that I was never bored and did want to see where it was going and how it would all end, but I could already sense that the ending would not be able to tie up the loose ends sufficiently let alone deal with some of the bigger plotholes.
Verdict (2 / 5)