This week, we’re hopping on our broomsticks and whizzing back in time (they’re special time-travelling broomsticks, you see) to 1990, when life was simpler and selfies hadn’t been formally acknowledged as a thing yet.
Let’s take a retrospective look at Roald Dahl’s The Witches.
Why now?
The Witches was made available on Netflix during the first week of 2019.
In a nutshell
A young boy and his grandmother, who has a rather in-depth knowledge of witches, travel to a seaside hotel for the summer, where they inadvertently encounter a convention of the cackly old crones presided over by the Grand High Witch herself. Cue plenty of classic nineties OTT acting, white mice, and absolutely terrifying Jim Henson makeup effects.
Who’s it for?
Children…and also, not for children at all, sometimes. The Witches is one of those anomalous films that’s aimed at kids but is at times disturbing enough to leave parents with a few bad dreams of their own. Much like Gremlims, for instance. I wouldn’t recommend letting very young children watch it.
Who’s in it?
Luke and his grandmother Helga are played by Jasen Fisher and Mai Zetterling respectively, while Anjelica Huston owns the role of the Grand High Witch. Rowan Atkinson, right at the beginning of his Mr Bean days, plays the hotel manager.
The good stuff
If you like a good dose of nineties nostalgia and don’t mind a few slightly cringe-worthy moments, you’ll like this. This is Roald Dahl story-telling at its best: funny, satirical, mesmerising in its simplicity and horrific in equal measure. It’s wonderfully over-the-top at times, and the makeup effects for the witches are unforgettable (no matter how hard you try). Huston is superb as the Grand High Witch, genuinely scary even without her grotesque prosthetics and mechanised claws, and Atkinson is, well, Mr Bean incarnate. It’s a fun, silly film to watch, with or without the kids.
The not so good stuff
Like many nineties or late eighties movies viewed from the vantage point of Generation Z, The Witches will have aged considerably in its look, pacing and cinematography. Contemporary viewers may find themselves rolling their eyes at points or wondering where the CGI dragons are, but if you go into it understanding the context of the time and the source material from which it’s drawn, you won’t be too disappointed. It’s hard to be too critical of anything inspired by Dahl, even if the man himself hated the film’s ending.
The bottom line
The Witches is an enjoyable watch, and worth it just to see Anjelica Huston in one of her most celebrated roles. It’s funny, weird, disturbing and scary, and came along at a time when computer-generated images weren’t quite there yet, so puppetry was used instead to great effect.
Flick it on some evening and lose yourself in Roald Dahl’s brilliance for ninety minutes.
Verdict: 
(4.5 / 5)
