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Tag: The Lion King

Editorials

Top 10 UK Box Office Movies of 2019 (So Far)

August 4, 2019

It’s not been a bad year for the UK box office. With the total takings of 2019s top 10 highest grosser’s (at time of writing) being approximately £388,967,274 (according to Box Office Mojo and google money converter).

So today we are going to look at how the top 10 currently stands. Which movies have earned the most in the UK so far? And what have critics and audiences had to say about them?

10. The Secret Life of Pets 2 – £19,570,258

The latest offering from Illumination managed to rake in the box office, despite a rather lukewarm reception.

Audience Thoughts: 90% – Rotten tomatoes / 6.6 – IMDb

Critics Thoughts: “A sequel that feels less necessary than willed into being, but that doesn’t mean it’s not pleasantly entertaining.”

Illuminations latest offering kicks off the UK’s highest grossers

9. How to Train Your Dragon: The Hidden World – £21,219,615

While the concluding How to Train Your Dragon movie wasn’t as successful as its predecessors at the box office, it continued to impress both audiences and critics in equal measure.

Audience Thoughts: 87% – Rotten Tomatoes / 7.6 – IMDb

Critics Thoughts: “Who would have thought that DreamWorks’ “How To Train Your Dragon” would end up as one of the best film trilogies out there?

The How to Train Your Dragon series performs one last hoorah

8. Rocketman – £23,572,360

The Elton John biopic followed in the footsteps of last year’s Bohemian Rhapsody and became a smash hit across the UK.

Audience Thoughts: 88% – Rotten Tomatoes / 7.6 – IMDb

Critics Thoughts: “Rocketman is an honest, heartfelt tribute to Elton John’s music and his public image.”

Rocketman managed to blast off at the UK box office

7. Dumbo (2019) – £26,964,177

The first of Disney’s live-action remakes this year, left an odd taste in the mouths of cinemagoers. As despite its high takings, no one really seemed overly enthused about it.

Audience Thoughts: 51% – Rotten Tomatoes / 6.4 – IMDb

Critics Thoughts: “The problem with this latest entry in Disney’s ever-expanding range of recycled classics isn’t that it hews too close to the studio’s original animated masterpiece, but that its many departures only muddle the original’s nursery-rhyme simplicity

Dumbo (2019) flies into the number 7 place

6. Spider-Man: Far From Home – £31,524,501

The most recent film in the ever dominant MCU, like many of its predecessors, deftly managed to please both audiences and critics.

Audience thoughts: 95% – Rotten Tomatoes / 7.9 – IMDb

Critics Thoughts: “It’s not quite the home-run of Homecoming, but Far From Home isn’t far from matching it, with heaps of humour, energetic action, and the answers Endgame left you craving.

Number 6 in the UK’s highest-grossing films of 2019? Spider-Man approves

5. Aladdin (2019) – £37,496,448

Back with Disney’s live-action remakes, unlike Dumbo, Aladdin did manage to please audiences, critics however were very mixed.

Audience Thoughts: 94% – Rotten Tomatoes / 7.4 – IMDb

Critics Thoughts: “Another lavish and largely entertaining Disney re-do, with strong turns from Massoud and Scott. But…Smith’s genie performance feels disappointingly constrained — both by overdependence on the original and some ghastly CGI.”

Aladdin (2019) soared on it’s magic carpet to the number 5 spot in the UK’s top 10

4. The Lion King (2019) – £37,816,339

The latest Disney remake has, in only 2 weeks, already proven to be Disney’s most successful solo developed project in the UK. It also managed to capture the love of the general public. But critics have been less kind to this effort:

Audience Thoughts:  88% – Rotten Tomatoes / 7.2 – IMDb

Critics Thoughts: “Unfolding like the world’s longest and least convincing deepfake, the new “Lion King” fatally misunderstands what once made Disney special.

The photo-realisitc Lion King (2019) is the UK’s 4th highest grossing film

3. Captain Marvel – £42,632,688

Despite its divided reception by both audiences and critics, Captain Marvel continued to prove the power of the MCU’s marquee value.

Audience Thoughts: 55% – Rotten Tomatoes / 7.0 – IMDb

Critics Thoughts: “Captain Marvel is … a solid enough movie, but it suffers from an overbearing need for its agenda to be pushed – had it been handled with a little more care, it could have been fantastic.

Captain Marvel storms into 3rd at the UK Box Office

2. Toy Story 4 – £53,611,537

9 years after Toy Story 3, Toy Story 4 finally made it to cinemas. It continued the high standards set by the original Toy Story films, opening to almost unanimous praise across the board.

Audience Thoughts:  94% on Rotten Tomatoes / 8.2 – IMDb (#170 on IMDb’s top 250 films)

Critics Thoughts: “This franchise has demonstrated an impressive ability to beat the odds and reinvent itself…It’s a toy store of ideas, with new wonders in every aisle.

The Toy Story gang still managed to bring in the numbers despite a 9-year absence

1. Avengers: Endgame – £94,559,351

Lastly, we come to the highest-grossing movie of the year (and of all time). After over a decade of build-up, the MCU finally culminated with a fond farewell that pleased almost everyone.

Audience Thoughts: 91% – Rotten Tomatoes / 8.7 – IMDb (#24 0n IMDb’s top 250 films).

Critics Thoughts: “Avengers: Endgame is all that you hope it’ll be and a bag of chips. The Russo brothers hit all the right notes from start to finish, and the ending in particular is thoroughly satisfying.”

Avengers: Endgame has beat down all the competition to become the highest-grossing film of the year (and of all time)

So ends the UK box office top 10 of the year so far. And with big releases like IT: Chapter 2 and Star Wars: The Rise of Skywalker coming up, this year’s top 10 may even beat last year’s top 10 gross (approximately £523,006,040). We’ll just have to wait and see.

Also Read: What’s Next For Disney?

Editorials

What’s Next For Disney?

July 27, 2019

Since 2010, Disney has released (mostly) live-action remakes of some of their classic films, originally these started off with them being sold as a reimagining, such as Sleeping Beauty from the villain’s point of view, which was the premise of “Maleficent”, however as time goes on and more have been made, they have become more remake than reimagining, with the latest being “The Lion King”.

But with live-action versions of “Mulan”, and “The Little Mermaid” on the way, are they running out of classics? Most of their current remakes are from their “renaissance” period, and only a few films from this time remain without remakes. Is Disney still capable of their classic magic? Or are they forced to rely on nostalgia?

Once Upon A Time

Walt Disney and the classic Mickey Mouse design.

Disney has been around since the 1920’s when they produced cartoons featuring Oswald the lucky rabbit. When they lost the character rights to their distributor, they had to create a new character, Mickey Mouse.

After the Mickey Mouse cartoons became popular, merchandise featuring the character also became popular. This led to the company’s first feature film, “Snow White and the Seven Dwarves”. Several classic animated features followed, as well as a theme park, with Disney quickly becoming a household name.

A New Fantastic Point Of View

The original animated Cinderella, and Lily James in the remake (Disney 1950/2015)

Disney has relied heavily on nostalgia in the last decade with their remakes and it’s working. This trend arguably started with 2010’s “Alice in Wonderland”, which is a rather unique interpretation, as with Maleficent, with a different point of view, however the 2015 version of Cinderella is very faithful to the original, but adds some additional backstory to give her more agency, one of the criticisms of the original story. This version received mostly positive reviews, although some critics were disappointed with the lack of innovation.

This was followed by Jon Favreau’s “The Jungle Book” another faithful adaptation, with artistic license used on the animals to make them seem more intimidating, whilst also capturing an actor’s performance, it was another big hit for Disney. The technology and techniques used would lead to Favreau remaking Lion King.

A Tale As Old As Time

Young Simba (JD McCrary) and Zazu (John Oliver) in the photo-realistic modern version of “The Lion King” (Disney, 2019)

Disney’s next remake was “Beauty and the Beast”, this received similar reactions to the Cinderella remake which may be something to do with the director having similar intentions. This was followed by “Christopher Robin” which acted more like a continuation of the “Winnie the Pooh” franchise, rather than a remake.

2019 saw three different remakes: “Dumbo”, “Aladdin” and “The Lion King”, which opened to varied reviews from critics and audiences alike. “Dumbo” stretched the original’s length by almost an hour, which generally bored most viewers, and is actually the worst-reviewed of the remakes (not including the “Alice in Wonderland” sequel).

“Aladdin” and “The Lion King” stayed fairly close to the originals, albeit with some added elements, and with a recast Genie and photorealistic animals respectively. While the visuals of these were praised, many think they lack some of the heart of the originals are a little soulless.

Let’s Get Down to Business

Elsa and Anna’s sisterly bond is at the heart of Frozen (Disney, 2013)

Disney has several live action adaptations of other projects in the works, with only a handful of original (i.e. not sequel or remake) films to be released until 2023. They could be moving away from original stories, as sequels and remakes of proven franchisees are always more profitable than something completely new.

However, the studio has proven that they can still produce iconic, original stories, just look at the impact “Frozen” had, (and Frozen 2 will likely have when it’s released at Christmas). Which is arguably as big a hit as any of their “renaissance” films. “Moana” a traditional Disney fairytale, but focusing on a Polynesian village and culture, proves that they are still capable of producing the magic that we know them for with original tales.

One possible attitude is that Disney is seeking to “modernise” it’s classics, by bringing them up to modern day standards and attitudes. Both the “Cinderella” and “Beauty and the Beast” remakes especially give their lead princess more agency in an attempt to move away from the criticisms of the traditional versions. Pixar’s (which is owned by Disney) “Ralph Breaks the Internet” features several scenes poking fun at the princesses, which some argue is an attempt to breakdown the stereotypes the films have produced.

The live-action remakes will continue while Disney still has films left (although don’t rule out another set of remakes in another 20-30 years), but it would be unfair to say that they have run out of original stories quite yet. Time will tell whether any of them will become as iconic enough to deserve their own live-action remakes.

Also Read: Disney Strikes Back: Disney+ Breaks The Internet