We are going to look at the reasons why trains have proven so popular as movie settings and focus points. As well as looking at their cliches and variety. First though, here are some good “train movies” to watch.

Cinematic Trainspotting

Some popular train movies include the previously mentioned Arrival of a Train and Bullet Train. As well as The Great Train Robbery, The General, Shanghai Express, The Lady Vanishes, Brief Encounter, Strangers on a Train, The Train, Murder on the Orient Express, Snowpiercer, and Train to Busan. 

Even these few examples showcase the creativity train movies can yield. The genres of these movies vary wildly. There are documentaries, westerns, comedies, romances, murder mysteries, horror movies, WWII movies, sci-fi socio-political commentaries, action movies, and thrillers. And all use trains to drive their story in some fashion.

Why Do We Like Trains?

So, why are trains effective vehicles for gripping stories? Firstly, trains provide great engagement opportunities for audiences. The setting’s confined nature heightens the dramatic tension between the characters, due to it being an enclosed space, with no way off and almost nowhere to hide. But there’s still enough space for the characters to move and ponder. The train’s constant movement allows new visuals to pass by the window regularly, always keeping the visuals fresh. And the speed of the train, as well as how closely timed departures and arrivals are keeps the pace lively. Therefore giving audiences a visually and dramatically engaging experience.

Trains also act as a relatable anchor for their stories. Millions of people worldwide use trains every day. Thus, the use of trains allows audiences to easily relate to the situation the characters of train movies find themselves in.

However, many filmmakers keep returning to train movies because trains serve as interesting thematic elements to make bigger points about humanity, our history, and our relationship with technology. For example, westerns like The Great Train Robbery use trains to showcase historic progress. Brief Encounter’s trains represent the intrusion of the modern into the romantic ideal. And Snowpiercer’s train is a class metaphor (though, all train movies deal with class in some form). Making even simple train movies, subtextually rich.

Common Stops

Now while train movies are hugely imaginative they do have several common tropes. Many movies in the subgenre revolve around attempts to either stop a train from moving or solve a problem before the train reaches its final destination. 

In train-set movies, there’s usually some contrivance for the protagonists to get off the train at some point – Usually to allow the audience some downtime. Or the film will split its time between the train’s occupants and people outside trying to help. 

Almost every movie in the genre uses scenes of trains driving through their surroundings as transitions. As well as featuring an interminable number of shots of characters staring out of windows. And of course, there is always a dash to get on a train before it departs. While these tropes are expected, given the setting, it’s tiring to see them so often repeated.

Conclusion

Despite all the cliches, train movies are firmly entrenched within cinema. And Bullet Train proved they can still capture an audience’s attention. Hopefully, this means the confined cinematic niche, like a Southern Rail train, won’t be leaving anytime soon.

Also Read: The Evolution of the Murder Mystery

The post Trains of Events: Great Movies About Trains appeared first on Big Picture Film Club.

Today, we will analyse the common elements of murder mystery films, how the genre has changed over time, how the detective archetype has contributed to the genre’s popularity, and provide you with some great mystery films to watch.

Making A Murder Mystery

Generally, a murder mystery focuses on the investigation of a murder/series of murders, committed during the opening act. A detective (professional/private/amateur), or someone else, will try to solve the case. Throughout the story evidence about the killer’s motives and identity is compiled through crime scene examinations and hearing testimony from the supporting cast, (with several red-herrings trying to fool the audience). The film will end with the killer’s/killers’ identity being revealed. Chiefly the genre invites audiences to guess the murderer’s identity, using the evidence before the reveal.

The Little Things

Despite the genre’s common narrative elements still being prominent, not everything remains the same. The murder mystery formula has been used to tell many different stories in different styles since its inception. From period adaptations of Arthur Conan Doyle and Agatha Christie’s work to seedy film noirs, fluffy comedic capers, spectacular action thrillers, disgusting horror thrillers, giallos, and more. It’s a genre that has proven it can be used to tell any story. 

And the genre has continually updated itself. Not just by using increasingly modern crime-solving techniques and technology in their stories, but also by changing its attitudes and content. For example, after the release of Psycho, based on Ed Gein’s crimes, the genre began to further explore the killer’s mindset and the impact of their crimes. This, coupled with censorship relaxation, led to a greater emphasis on violence, sex, and psychological analysis. Making the genre feel more true to life. The genre has equally been willing to critique and break its own rules. Sometimes films will have the killer not be caught or identified and even the detectives have been shown as villainous or corrupt, again making the genre feel more real.

This infinite malleability with such a simple formula allows creatives a huge canvas to play with. And it gives audiences something comfortably familiar but never wholly the same. It’s easy to understand why the genre has stuck around. 

Poirot to Blanc

Interestingly the new wave of cinematic whodunit’s use of the detective exemplifies the genre’s comforting familiarity while also being modern in its implementation.

Investigators like Hercule Poirot (Murder on the Orient Express (2017) and Death on the Nile (2022)), Benoit Blanc (Knives Out), and Inspector Stoppard (See How They Run) feel like classic gentlemen sleuths and hard-boiled detectives. They have their familiar attitudes, as well as the star power expected from the genre. Kenneth Branagh, Daniel Craig, and Sam Rockwell play each character respectively. And they serve as our good-humoured guides through the investigation. Allowing us to not become overwhelmed by the murder’s morbidity.

But these figures also offer a lot to modern audiences. Poirot and Blanc offer an authoritative figure not tied in with the bad practices of the police. Which has received understandable derision lately. They are also a lot more sympathetic when listening to the perspectives of suspects. For example, Blanc ultimately helps Marta to prove her innocence. Both offer relief from concerns about policing. And while Stoppard is a police detective his surly nature shows that this life is not a happy one. Thus some can argue acting as a critique of the detective role.

Ultimately the use of familiar genre staples for whodunit detectives allows audiences to easily become invested with the mystery. But they can also serve as a great springboard to tackle many different questions about our relationship with the law. Thus giving audiences more to engage with.

And Then There Were Many

To conclude our look into the murder mystery genre here are some great examples for you to watch:

Historical: The Hound of The Baskervilles (1939)

Contemporary: Knives Out

Noir: The Third Man

Neo-Noir: Memento

Giallo: Don’t Torture A Duckling

True Crime: Zodiac

Also Read: Seven Creative Movies Dealing With Memory Loss

The post The Evolution of the Murder Mystery appeared first on Big Picture Film Club.