Today we will recommend five alien encounter films and look at what their use of extraterrestrial characters mean.

A Trip To The Moon

Georges Méliès early silent short sees a group of scientists venturing to the moon in a rocket. Where they encounter a not-so-friendly race of moon people. While its aliens have simple designs and lack emotional depth as one of the earliest science fiction films this short showcased that films were capable of presenting other worlds as well as showing our own. It represented progress for cinematic imagination and inspired filmmakers to start dreaming of what extraterrestrial life could look like.

2001: A Space Odyssey

This sci-fi masterpiece charts the human race as it evolves and pursues travel to the stars. Each major event in our history (the development of tools, colonisation of the moon and interstellar travel) is marked by the appearance of a monolith that seems to communicate something. Eventually, when one astronaut finds another monolith beyond Jupiter something happens to him. Is it the birth of a new alien being? A way of communicating with beings beyond our understanding? Or something else? 2001 presents a visually arresting but grounded view of humanity’s technological progress. Additionally, it asks us to consider if our first encounter with alien intelligence will be terrifying, liberating or even conventionally understandable.

E.T.: The Extra-Terrestrial

Cinema’s ultimate friendly alien. When E.T. gets left on earth he is taken in by the young Elliot. Eliott tries to keep E.T. safe from the government and eventually, with help from his family and brother’s friends, gets him home. A classic tale of bonding that through its fantastic direction, score, performances, and effects shows us the wonder of the world from a child’s perspective. But it also promotes the value of kindness by showing how the bonds of friendship and family are common. Even across the stars. It’s a film that by the end makes you want to be a better person.

The Thing (1982)

John Carpenter’s The Thing took the cinema staple of the hostile alien encounter to its most gruesome conclusion. A dog carrying an alien life form reaches an antarctic research station. After grotesquely transforming its host’s body the research team discovers that the alien can infect people through contact and absorb and imitate other life forms. Was anyone else infected by the alien and worse how can the team tell who is still human? The Thing is a great allegory for how viruses affect the body and human nature. But it also gave us perhaps cinema’s scariest alien. A creature that can hide anywhere and transform life into twisted parodies of itself. The Thing is the pinnacle of cosmic horror films and practical effects work.

District 9

If E.T. uses alien encounters to show humanity at its best District 9 uses them to comment on the worst of humanity. After a ship of aliens lands on Earth they are placed into an apartheid system where they are discriminated against and forced into separate houses and systems to humans. From there we follow Wikus van de Merwe, an agent of the company MNU, who through being exposed to something slowly begins turning into one of the aliens. Similar to E.T. District 9 uses aliens to comment on how we view others but this film focuses more on the at-once banal and other times violent nature of systemic oppression and the ramifications it can have on oppressed people. With some fantastic effects work, a compelling story, and poignant thematic underpinnings District 9 is a hard but rewarding watch.

We could honestly recommend many more alien contact movies. These films have been a staple for years because they represent cinema’s greatest qualities. The ability to visualise new worlds and people while reflecting the most human of experiences. If you have any favourites you want to recommend then please do so.

Also Read: Trains of Events: Great Movies About Trains

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Vampires in Winter

There are places in the world where it gets really dark. 30 Days of Night is set in one such place, a town in northern Alaska where they have a thirty-day period of darkness every winter. Naturally, this is an appealing site for vampires and one year they descend upon the isolated town. There is a slow build of tension as people report phones being sabotaged and pets killed – to make the population more isolated and vulnerable – and then the vampires attack. There is a great scene of the initial attack, people dragged from their homes by vampires, people being chased down, it even includes an aerial shot showing the bloodbath from above. Frostbite has a similar premise but this time it’s a small town in Sweden. Frostbite has more comedic moments than 30 Days of Night and isn’t as good a film but it does have some great moments – such as the local police have detained a vampire in a cell but obviously have no understanding of what it is they’re dealing with and a simple questioning requires full riot gear.

Let The Right One In is another example of great winter horror and is an absolute masterpiece. Set in Sweden the story revolves around children Oskar and Eli, the latter we learn is a vampire, and while she looks like a child is very old. The film is very dark in every sense of the word with so much of it set at night – it turns out vampires quite like dark winter locations. As well as being genuinely horrific it is genuinely moving and one of the great horror films whatever time of year.

Winter In Space

Space can be a great parallel for winter. It’s cold, it’s dark, and it’s simultaneously lonely but you’re stuck with people. One of the most underrated films ever made is Moon – Sam Rockwell plays Sam Bell; who is left on a station on the moon conducting mining work with his only companion the station’s AI. Or so we think. Not long into the film Sam finds another person, someone in one of the automated vehicles, already this is weird as he believed he was the only person on the moon, but the person is his exact double.

It has been said before but Alien is a horror film set in space and if you’re looking for isolation and the idea that if you dare step outsides the confines of your home/spaceship you will need extensive protective outerwear to survive and may well not return then Alien is the film for you. In Alien outside is a dangerous place and it is where the horrors will come from, don’t go outside and don’t let those who do bring the cold back in with them.

There is a sci-fi film that mixes the isolation, cold and darkness of space with bright light and heat and this is Sunshine. The film follows a team of astronauts and scientists who have a mission to save the sun, so it is cold, it is dark and they are alone, but there is also the sun. One crew member has taken to staring at the sun through a protective screen, and even with the screen it is doing damage to his skin, but nonetheless, he is compelled to do it.

It’s Just Really Cold

The Thing is a classic horror in terms of isolation and the cold as a research team in Antarctica are attacked by a shapeshifting alien. The cold is a constant presence and limiting factor for the team, to leave their base to escape the alien is to invite hypothermia. After the grotesque special effects, some of the most memorable shots of the film are of Kurt Russell bundled in a huge coat with snow in his beard. One of the key elements at the end of the film is whether you can see the breath of the remaining characters because of the cold.

It’s impossible to not mention The Shining, not only one of the greatest films ever made but it has a lot of snow, and isolation is very much the point of it. Indeed some people think that there are no ghosts, that there is nothing supernatural going on and Jack is driven to insanity by the isolation. The family are more or less trapped in the snow-covered hotel, and when Dick Hallorann comes to rescue the family it becomes an arduous journey through the elements. It is a film that gets anyone thinking about how they would handle such an extended period of isolation. The hotel, even when it is the only Torrance family staying there, seems inviting and warm, it is bright and comfortable, contrasting with the ever-grimmer weather outside. And – spoiler alert ahead – it is the weather that actually saves Wendy and Danny with their father freezing to death.

Also Read: 10 Iconic Horror Movie Masks

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Drama: 12 Angry Men

A jury is tasked with judging if a teenager is guilty of murder. Initially many think he’s guilty but when Juror 8 (Henry Fonda) disagrees it turns into a riveting debate on the values of justice. 12 Angry Men continues to impress as more time passes. The topics of justice, human nature, and doubt remain universal. And as it largely takes place in one room on a hot summer day it makes you feel as frustrated as the characters. It’s currently ranked 5th on IMDb’s top 250 and has a 100% approval rating on Rotten Tomatoes.

Thriller: Rear Window

While confined to his apartment, wheelchair-bound photographer L. B. Jefferies (James Stewart) witnesses his neighbour possibly committing murder. But how is he going to prove it? Rear Window is today regarded as one of Alfred Hitchcock’s finest films. And it’s certainly impressive. As most of the action is shot inside Jeffries’ apartment, we as viewers are put in the same position as Jefferies. Unable to move too far and confined by circumstances beyond our control. It’s currently ranked 50th on IMDb’s top 250 and has a 99% approval rating on RT.

Action: The Raid

A group of police officers head to a high-rise to arrest a prominent crime lord. The officers are quickly ambushed, have their retreat cut-off, and many are killed by the high-rise’s residents. Can the remaining officers get to their target before the residents kill them? The Raid has been referred to as one of the best action movies of the past decade and the limited location of the high-rise works to its advantage. Keeping the story focused instead of meandering and making for some incredibly creative set-pieces. It holds a 7.6 IMDb score and an 86% RT approval rating.

Biopic: 127 Hours

When Aron Ralston (James Franco) goes climbing in Utah’s Bluejohn Canyon he ends up falling and pinning his arm between a boulder and the wall. Can Aron survive in these dire circumstances? 127 Hours is difficult to watch. It’s based on a real-life incident and like previous entries, it does an amazing job putting you into the protagonist’s position by restricting the setting and Aron’s movement for most of the movie. So, when the climax comes, you’re left wondering if you could do what Aron did? 127 Hours was positively received by audiences and critics. Even being nominated for 2011s Best Picture Oscar.

Horror: The Thing (1982)

An Antarctic research station is invaded by an alien creature that assimilates and imitates other life forms. With communication lines cut and the cold wastes outside providing no hope of rescue how are the station’s researchers going to fight this creature? Especially when anyone they know could be the thing? Initially, critics reviled John Carpenter’s The Thing but it’s now considered a horror masterpiece. Thanks to its slow-building suspense and paranoia. Further amplified by the restricted nature of the research outpost setting. It’s ranked 164th in IMDB’s top 250 and has an 84% approval rating on RT.

Surreal: The Exterminating Angel

When upper-class dinner guests are unable to leave their hosts living room for unexplained reasons, slowly all semblance of morality and etiquette between the guests crumbles, revealing only animals beneath. Exterminating Angel is a surreal black comedy that uses its humorous conceit of the guests being unable to leave a party to ridicule the bourgeoise. And while it’s certainly weirder than previous list entries you’re guaranteed to remember it. It was nominated for the Palme d’Or at the 1962 Cannes Film Festival. And currently has an 8.1 rating on IMDb and a 92% on RT.

Romance: Time & Again

Former lovers Isabelle (Brigit Forsyth) and Eleanor (Siân Phillips) meet up 60 years after their relationship ended in a nursing home. With the action largely confined to two rooms, this short allows us to feel the isolation of both the main characters who have both lost their partners. And the limited scope emphasizes the great performances which immediately invest us in the couple and leaves us eager to learn about their history and ultimately their future. Time & Again has an 8.5 rating on IMDb and has received awards at several film festivals.

So ends our list of great claustrophobic films. Proving that a limited setting can still engage, thrill, excite, inform, terrify, challenge, and move us. But did we miss any out? Then let us know your favorite limited location film in the comments.

Also Read: Five Thought-Provoking Documentaries To Watch On BirdBox

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Horror films thrive on spooking their audience in a variety of ways. For example, the recent tech horror Countdown tapped into our anxiety about our mortality with an app that predicts the time you’ll die, down to the second. The central conceit being, how do you avoid death?

Well, today we’re counting down seven reasons characters die in horror films. Avoid these things to ensure your safety.

1. Taking drugs/having sex

Let’s get the obvious reason out first. Now many tend to overstate the significance of not taking drugs and having sex in horror movies. There are many iconic horror movie survivors who didn’t die after taking drugs (Laurie smokes marijuana and survived Halloween (1978)) and having sex (Ginny in Friday the 13 part 2, Sidney in Scream and Jay in It Follows).

But generally, it’s best to play it safe. For every iconic horror survivor who disproves this claim, there are slews of iconic horror victims that prove it. Just see Tina in A Nightmare on Elm Street (1984) who had sex moments before her tortuous slicing by Freddy Krueger.

And Palmer in The Thing (1982) definitely shouldn’t have gotten high with a shapeshifting alien creature running around.

2. Mocking conventions

Something less widely recognised is the fact that knowing genre clichés can also be a death sentence. How many times in horror movies have you heard someone mock their compatriots, by saying, “haven’t you seen a scary movie before?” only for them to die soon after. Unless you’re part of the Scream series self-aware characters rarely live to the end credits.

For a great example of how self-awareness kills, look at the character of Lizbeth from Friday the 13th Part 6: Jason Lives.

3. Heading into the unknown

A word of advice, if you’re heading somewhere and find that it’s abandoned, rundown, has measures in place to keep people out, contains weird items or you don’t know much about it, just leave. You don’t know what may be lurking around.

The Texas Chainsaw Massacre (1974) typifies this. Two of our leads wander onto a property with a drained swimming pool, blacked-out windows, and teeth are found on the porch. When they don’t leave there are very unfortunate consequences.

4. Going anywhere alone

Following on from the last entry, while it’s a bad idea heading into the unknown it’s even worse to go anywhere without bringing someone with you. It’s a good rule of thumb, when you go off alone you’re easier to stalk, terrorize and kill because no one’s there to keep you grounded and out of harm’s way.

No series exemplifies this trope better than the Friday the 13^th series. The first movie, in particular, features several effective reasons for why you should never go anywhere alone.

5. Being generally unpleasant

As in life, don’t be unpleasant to people. Don’t insult, belittle, harm or be rude, it just makes everyone hate you. And when everyone hates you in a horror film you can rest assured that you are going to die.

Look no further than this scene from Silent Night for proof of that.

6. Ignoring warnings & premonitions

I get that sometimes it’s hard to accept warnings from strangers, close friends, relatives or even your subconscious (in the case of dreams). It may feel patronising or like you aren’t personally in control. But these warnings are for your safety. It’s so baffling that horror film characters continually ignore them, as it usually leads to someone biting the big one.

Again Friday the 13^th shows that warnings should be heeded. If the kids listened to Crazy Ralph, they’d still be alive.

7. Cheating death

The final irony of horror movies is that you’re seldom truly safe. There was a time when good people survived and lead happy lives after the credits rolled. But besides the odd exception, that’s not the case nowadays.

If you’re in a self-contained movie maybe, one or two survivors will live to tell the tale. But if you’re a returning character from another film (and you aren’t Sidney Prescott, Ash Williams, Tommy Jarvis or Alice Johnson), you’ll more than likely die. So, if you survive, avoid sequels.

The master of dying in sequels is Laurie Strode. Originally dying in an off-screen car crash between Halloween 2 and 4, she was brought back in H20 (which continued from Halloween 2), only to die again in Halloween: Resurrection. She also died in the director’s cut of Rob Zombie’s Halloween 2 (the second film in the reboot timeline) before being brought back in Halloween (2018). It seems the universe has a fascination with reviving and killing Laurie.

So there’s our list of seven reasons why characters die in horror movies. Just avoid doing these things and you’re sure to live to see another day.

Also Read: 5 Horror Films and The Real Events Behind Them

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