First on our list is Loukman Ali’s The Girl in the Yellow Jumper. This tense 2020 mystery-thriller was the first Ugandan movie to be added to the Netflix catalogue. It is critically acclaimed in East Africa but still not yet widely known to audiences around the world. Let’s dig in.

The Story and Characters

The story begins with Jim, a seemingly ordinary man asleep in front of a TV that’s playing a news report of a serial killer called the “Cigarette Butt Killer”. A figure in a gas mask and a yellow jumper quietly breaks into the room and drugs Jim. The story takes us on an unexpected journey of a kidnapping, a string of murders and discovering who the real villains are.

This film was an exercise in tension and pacing, truly earning its title as a thriller. The complex narrative makes it a perfect watch for those of you thirsty to figure out a short but engaging mystery. Clocking in at 1 hour 20 minutes long, it’s just long enough to keep you hooked. Be warned; this is not a light movie for casual viewing, so only watch it if you plan to pay attention. There are a few brief scenes of graphic violence, just in case you’re wary of blood.

One of the biggest criticisms of African films is having one-dimensional storylines and characters. That’s not the case for The Girl in the Yellow Jumper. The characters seem straightforward at first, but the more you watch you’ll see the complexities between each one. Compelling performances from Maurice Kirya, Michael Wawuyo Jr., Rehema Nanfuka and Oyenbot will have you rooting for multiple sides by the time the movie ends.

The narrative is littered with foreshadowing and red herrings. The puzzle pieces don’t fully click together until the very end, which makes for a satisfying finale.

The Visuals and Sound

Loukman and his team really brought in the big guns when it comes to cinematography. The lighting and tone of the film reflect old-school 90s films, while still being set in the present day. Much of the movie takes place on a highway and we are given beautiful shots of Ugandan nature throughout. I appreciated the creative camera angles during the fight scenes and kidnapping scenes.

The music choices were very appropriate, incorporating contemporary Ugandan music sounds. The sound design elevated the visuals to create the distinctive ambience of every scene.

The movie also included some refreshing animated scenes, something hard to pull off in the thriller genre. In this way, the heavy tones of death and abuse were balanced out with a few lighter scenes that elaborated on Ugandan traditions.

Admittedly, there was a point at which the transition between shots could have been smoother. However, the quality of the filming and editing was really remarkable for a production done on a shoestring budget with multiple interruptions.

The Bottom Line

We definitely recommend giving The Girl in the Yellow Jumper a try. While there could be room for improvement in the production and a few character portrayals, it’s a solid film nonetheless. Anyone in the East African film industry can tell you how hard it is to get a feature film on the global stage. A lot of blood, sweat and tears went into this movie, and it paid off.

Also Read: 5 Films In 2022 With Creative Concepts

Your contribution to Big Picture Film Club will allow us to continue to produce content. No matter the amount your contributions are greatly appreciated.

The post Netflix Hidden Gems: The Girl in the Yellow Jumper appeared first on Big Picture Film Club.

Today, we will analyse the common elements of murder mystery films, how the genre has changed over time, how the detective archetype has contributed to the genre’s popularity, and provide you with some great mystery films to watch.

Making A Murder Mystery

Generally, a murder mystery focuses on the investigation of a murder/series of murders, committed during the opening act. A detective (professional/private/amateur), or someone else, will try to solve the case. Throughout the story evidence about the killer’s motives and identity is compiled through crime scene examinations and hearing testimony from the supporting cast, (with several red-herrings trying to fool the audience). The film will end with the killer’s/killers’ identity being revealed. Chiefly the genre invites audiences to guess the murderer’s identity, using the evidence before the reveal.

The Little Things

Despite the genre’s common narrative elements still being prominent, not everything remains the same. The murder mystery formula has been used to tell many different stories in different styles since its inception. From period adaptations of Arthur Conan Doyle and Agatha Christie’s work to seedy film noirs, fluffy comedic capers, spectacular action thrillers, disgusting horror thrillers, giallos, and more. It’s a genre that has proven it can be used to tell any story. 

And the genre has continually updated itself. Not just by using increasingly modern crime-solving techniques and technology in their stories, but also by changing its attitudes and content. For example, after the release of Psycho, based on Ed Gein’s crimes, the genre began to further explore the killer’s mindset and the impact of their crimes. This, coupled with censorship relaxation, led to a greater emphasis on violence, sex, and psychological analysis. Making the genre feel more true to life. The genre has equally been willing to critique and break its own rules. Sometimes films will have the killer not be caught or identified and even the detectives have been shown as villainous or corrupt, again making the genre feel more real.

This infinite malleability with such a simple formula allows creatives a huge canvas to play with. And it gives audiences something comfortably familiar but never wholly the same. It’s easy to understand why the genre has stuck around. 

Poirot to Blanc

Interestingly the new wave of cinematic whodunit’s use of the detective exemplifies the genre’s comforting familiarity while also being modern in its implementation.

Investigators like Hercule Poirot (Murder on the Orient Express (2017) and Death on the Nile (2022)), Benoit Blanc (Knives Out), and Inspector Stoppard (See How They Run) feel like classic gentlemen sleuths and hard-boiled detectives. They have their familiar attitudes, as well as the star power expected from the genre. Kenneth Branagh, Daniel Craig, and Sam Rockwell play each character respectively. And they serve as our good-humoured guides through the investigation. Allowing us to not become overwhelmed by the murder’s morbidity.

But these figures also offer a lot to modern audiences. Poirot and Blanc offer an authoritative figure not tied in with the bad practices of the police. Which has received understandable derision lately. They are also a lot more sympathetic when listening to the perspectives of suspects. For example, Blanc ultimately helps Marta to prove her innocence. Both offer relief from concerns about policing. And while Stoppard is a police detective his surly nature shows that this life is not a happy one. Thus some can argue acting as a critique of the detective role.

Ultimately the use of familiar genre staples for whodunit detectives allows audiences to easily become invested with the mystery. But they can also serve as a great springboard to tackle many different questions about our relationship with the law. Thus giving audiences more to engage with.

And Then There Were Many

To conclude our look into the murder mystery genre here are some great examples for you to watch:

Historical: The Hound of The Baskervilles (1939)

Contemporary: Knives Out

Noir: The Third Man

Neo-Noir: Memento

Giallo: Don’t Torture A Duckling

True Crime: Zodiac

Also Read: Seven Creative Movies Dealing With Memory Loss

Your contribution to Big Picture Film Club will allow us to continue to produce content. No matter the amount your contributions are greatly appreciated.

The post The Evolution of the Murder Mystery appeared first on Big Picture Film Club.