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	<title>Scales Archives - Big Picture Film Club</title>
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	<title>Scales Archives - Big Picture Film Club</title>
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	<item>
		<title>Anthony Vander &#038; Nathan Hannawin Discuss Their Film &#8220;Scales&#8221;, Indie Filmmaking &#038; More</title>
		<link>https://bigpicturefilmclub.com/anthony-vander-nathan-hannawin-podcast-discuss-scales-indie-filmmaking/</link>
					<comments>https://bigpicturefilmclub.com/anthony-vander-nathan-hannawin-podcast-discuss-scales-indie-filmmaking/#comments</comments>
		
		<dc:creator><![CDATA[Presh Williams]]></dc:creator>
		<pubDate>Fri, 27 Nov 2020 07:38:08 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Anthony Vander]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[Nathan Hannawin]]></category>
		<category><![CDATA[Scales]]></category>
		<guid isPermaLink="false">https://bigpicturefilmclub.com/?p=11299</guid>

					<description><![CDATA[<p>Scales is a thriller, detailing a chaotic night between a boxer, his PR manager, an entrepreneur and a drug dealer....</p>
<p>The post <a href="https://bigpicturefilmclub.com/anthony-vander-nathan-hannawin-podcast-discuss-scales-indie-filmmaking/">Anthony Vander &#038; Nathan Hannawin Discuss Their Film &#8220;Scales&#8221;, Indie Filmmaking &#038; More</a> appeared first on <a href="https://bigpicturefilmclub.com">Big Picture Film Club</a>.</p>
]]></description>
										<content:encoded><![CDATA[
<p>Scales is a thriller, detailing a chaotic night between a boxer, his PR manager, an entrepreneur and a drug dealer. This episode of the Big Picture Film Club Podcast features the film&#8217;s director, Nathan Hannawin and the film&#8217;s co-lead / producer, Anthony Vander.</p>



<p>Scales is available to buy/rent on all major VOD platforms from Friday 27th November</p>



<p><strong><em>Watch Episode 15 of the Big Picture Film Club Podcast below</em></strong></p>



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<div class="wp-block-embed is-type-video wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"><iframe loading="lazy" title="Anthony Vander &amp; Nathan Hannawin Discuss &quot;Scales&quot; | Episode 15 | Big Picture Film Club Podcast" width="958" height="539" src="https://www.youtube.com/embed/0MOQ_-ey8bo?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div></div>
</div><figcaption>Big Picture Film Club Podcast &#8211; Episode 15</figcaption></figure>



<p><strong>Also Watch: <em><a href="https://bigpicturefilmclub.com/emmanuel-anyiam-osigwe-british-urban-film-festival-bafta/">Big Picture Film Club Podcast &#8211; Episode 14 with Emmanuel Anyiam-Osigwe</a></em></strong></p>


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<p>The post <a href="https://bigpicturefilmclub.com/anthony-vander-nathan-hannawin-podcast-discuss-scales-indie-filmmaking/">Anthony Vander &#038; Nathan Hannawin Discuss Their Film &#8220;Scales&#8221;, Indie Filmmaking &#038; More</a> appeared first on <a href="https://bigpicturefilmclub.com">Big Picture Film Club</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">11299</post-id>	</item>
		<item>
		<title>The Age of Distortion</title>
		<link>https://bigpicturefilmclub.com/the-age-of-distortion-anthony-vander/</link>
					<comments>https://bigpicturefilmclub.com/the-age-of-distortion-anthony-vander/#comments</comments>
		
		<dc:creator><![CDATA[Presh Williams]]></dc:creator>
		<pubDate>Fri, 10 Aug 2018 19:05:25 +0000</pubDate>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Anthony Vander]]></category>
		<category><![CDATA[Blame the consumer]]></category>
		<category><![CDATA[Distortion Ent]]></category>
		<category><![CDATA[Housemates]]></category>
		<category><![CDATA[Scales]]></category>
		<guid isPermaLink="false">https://bigpicturefilmclub.com/?p=1268</guid>

					<description><![CDATA[<p>Although funding from arts organisations within the U.K has reduced in recent years this hasn&#8217;t stopped an emergence of filmmaking...</p>
<p>The post <a href="https://bigpicturefilmclub.com/the-age-of-distortion-anthony-vander/">The Age of Distortion</a> appeared first on <a href="https://bigpicturefilmclub.com">Big Picture Film Club</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Although funding from arts organisations within the U.K has reduced in recent years this hasn&#8217;t stopped an emergence of filmmaking creatives within the U.K self-funding their own projects and utilising available self-distribution platforms to release their work.</p>
<p>Producer, actor &amp; director, Anthony Vander, is the founder of <a href="http://distortionent.com/">Distortion Entertainment</a>. The London-based production company is among. Fresh off the back of releasing Season 1 of his web series Housemates, we caught up with Anthony as he gears up to release his debut feature-length film.</p>
<p><strong>Big Picture Film Club: Creatively, how do you juggle being a writer, director and an actor on your projects?</strong></p>
<p><strong>Anthony Vander:</strong> It took some while getting used to. I’m still a work in progress in all those fields. I would say find a collaborative team of people who are as passionate about your vision as you are.</p>
<p><strong>BPFC:</strong> <strong>With the success of internet web-series’ like Venus vs Mars, Brothers With No Game and more recently Dreaming Whilst Black, self-funded web series’ about different aspects of black British life have grown increasingly popular and have found a dedicated audience &#8211; what do you attribute this success to?</strong></p>
<p><strong>AV:</strong> The biggest attribution to this success would be content and representation. All the shows that you mentioned are of high-quality. They tell a story which is relatable and for the most part not always being shown on television screens this side of the pond. I also think one of the aspects of this success would be accessibility. YouTube and other VOD’s is the new TV. Most people watch YouTube more than they watch television.</p>
<p><strong>BPFC:</strong> <strong>How has the reaction been to the Housemates web series, since it’s release in June?</strong></p>
<p><strong>AV:</strong> The reaction has been fantastic. I’m very humbled not only to the cast and crew but also to people who have given their time to watch our show. I’ve received a lot of positive feedback and also questions with regards to season two.</p>
<p><strong>BPFC:</strong> <strong>What can we expect from Housemates Season 2? Will it still take place over a single day like Housemates Season1?</strong></p>
<p><strong>AV:</strong> I’m playing around with a few ideas. Filmmakers on our shores (such as RM Moses, Sebastian Thiel, Monet Morgan to name a few) provided much inspiration for season one and their content continues to do so. It could possibly take place over a single day but nothing has been set in stone yet. Once we look at the character&#8217;s arch and explore lineage then we can start thinking about duration and setting.</p>
<div class="wp-block-embed is-type-video wp-embed-aspect-16-9 wp-has-aspect-ratio">
<div class="wp-block-embed__wrapper"><iframe loading="lazy" title="Housemates | Outtakes {HD} | Distortion Entertainment" width="958" height="539" src="https://www.youtube.com/embed/eVDlk34UP3I?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></div>
</div>
<p><strong>BPFC:</strong> <strong>The film industry is going through a period of rapid change: from sources of funding to available distribution platforms. What are your current thoughts on the state of the UK film industry?</strong></p>
<p><strong>AV:</strong> I feel the UK film industry is on the rise. We have a lot of prolific filmmakers young and old. Like anything I always feel that there is room for progression especially within the UK film industry. The rapid change is one of ownership, which I believe is in the hands of the artist. A major key is not to seek validation but rather create and build your own vision. I learnt about the industry on the job. I went to acting school, not film school. I feel the funding is there but its accessibility is another factor altogether.</p>
<p><strong>BPFC:</strong> <strong>You’ve just wrapped up your debut feature-length film: Scales. Can you tell us a bit about the film and How did it come together? When will Scales be released?</strong></p>
<p><strong>AV:</strong> Scales is a tense, claustrophobic drama that spends one evening with four characters, who are trapped in a combustible boiling pot of an apartment.</p>
<p>I always loved the idea of a single location film. Not just for budget reasons but the fact that we could create character-driven stories. When I approached Joe he was very excited about the possibilities and began writing. We managed to find an incredible director in Nathan Hannawin who took the film to a whole new level. We are currently doing the festival circuit then the film will have limited theatrical release during mid-2019.</p>
<p><strong>BPFC:</strong> <strong>What other projects can we expect from Distortion Entertainment?</strong></p>
<p><strong>AV:</strong> I&#8217;m currently working on a short film Spar, which focuses on the challenges of female boxing and the overcoming of adversity. I have a few other ideas for other shorts. I also a feature film called The Tutor which I have in development, so hopefully, we get that made.</p>
<p>The post <a href="https://bigpicturefilmclub.com/the-age-of-distortion-anthony-vander/">The Age of Distortion</a> appeared first on <a href="https://bigpicturefilmclub.com">Big Picture Film Club</a>.</p>
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