After a military convoy transporting a dangerous payload is involved in an accident, the zombie inside escapes beginning a series of infections that consumes all of Las Vegas. Years after quarantining the city, the government decides to nuke Las Vegas destroying what remains of the zombies. Scott Ward, a former soldier who specialised in dealing with zombies, is approached by a sinister businessman about travelling to Las Vegas and recovering the $200,000,000 in a casino vault before the nuke destroys the city. Ward puts together a team including his former comrades and other experts needed to get in, get the money and get out.

Behind The Scenes

Army of the Dead is directed by Zack Snyder, one of the most successful directors working today, being the driving force behind the biggest DC films, as well as 300, Watchmen and the remake of Dawn of the Dead – a film I love and so was excited to learn of a new Snyder zombie film.

In Front Of The Camera

The film has a large ensemble cast but Dave Bautista in the lead as Scott Ward. Bautista has had an exceptionally interesting acting career as part of a long list of professional wrestlers who moved into acting but unlike most, Dave Bautista is very good.

Does It Work?

The film is certainly a lot of fun as a mashup genre of zombie and heist film set in Las Vegas should be. The action scenes are very well done with an impressive level of carnage and destruction visited on Las Vegas. Dave Bautista is very good as the leader of the team and settles into a role he has played a few times now – the powerful tough guy but who is actually quite nice. Aside from the money, Ward is motivated by reconnecting with his daughter, Kate, who is a volunteer in the quarantine camps outside Las Vegas. These camps being a convenient place to put any difficult people who under the guise of containing the zombie infection. The rest of the cast does a good job: there is Garrett Dillahunt as the immediately suspect Martin, the very cool Nora Arnezeder as Lilly aka The Coyote and the mismatched pair of Omari Hardwick as Vanderohe, a tough army veteran and Matthias Schweighofer as Dieter, eccentric and comparatively harmless Dieter, the safe cracker.

Army of the Dead also plays with the usual zombie rules. I know there a lot of zombie traditionalists who will only tolerate the slow zombies of the Romero films but personally, I see no harm in changing things. After all, there are a thousand variations in vampire mythology, from Dracula to Let The Right One In to Buffy the Vampire Slayer – and that diversity is a good thing. If zombie films were limited to a very specific set of rules you’re quickly going to run out of ideas. In Army of the Dead, there are Alphas – these are faster, stronger and more intelligent zombies, the zombie who escaped the convoy was an Alpha and everyone he infected became an Alpha (those they infected became the slower, shambling zombies).

The assembled team as well as Ward and his former soldier colleagues has a safe cracker, helicopter pilot, a zombie assassin, a representative of the sinister businessman and a “coyote”, Lilly, who helps people sneak into Las Vegas to steal the valuables left inside. Almost immediately fractures in the group appear, leading the helicopter pilot Peters (Tig Notaro) having a conversation about “triage” – i.e. ranking the importance of each member and keeping them alive, with her as the pilot who will get them out of Las Vegas as one of the more important.

The film does make some mistakes. First, it’s two and a half hours long, in fact, two minutes longer than mob epic Goodfellas. This does seem to be a problem with modern films as some directors seeming to think it’s not worth making a film less than two hours. Second, the film tries to bring in more serious topics, such as the relationship between Ward and his daughter and some clumsily handled political issues around the quarantine camps. That’s not to say that a zombie film cannot deal with these subjects, but the film is split between huge zombie-slaying spectacle and these heavier issues, with the more serious stuff not getting enough attention to be properly addressed and developed in the film. I would rather have had a simpler storyline that leaned more into the zombie-heist idea.

Army of the Dead is an enjoyable film, especially for those who like the zombie genre. It’s not a great film and takes itself too seriously at times but a good cast, some new zombie ideas and an interesting combination of heist and zombie genre help make it a lot more than just another zombie movie.

Rating: (3.5 / 5)

Also Read: #Alive (Review)

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As a native of this green island, I was immediately intrigued when I noticed The Cured pop up on Netflix recently. I’m a fan of zombie movies (much to my wife’s displeasure) and took the first available opportunity to gobble this one up. Pun intended.

Why now?

The Cured was released on January 25 on Netflix in the UK.

In a nutshell

A virus has devastated most of Europe, turning the infected into psychotic, bloodthirsty monsters, and Ireland has suffered heavily. However, a cure has been found which has been successful on 75% of the infected population, with the remaining 25% still quarantined for study. One young man called Senan, one of the cured, is released back into the care of his sister-in-law. However, the cured can remember what they did in their infected state, and it isn’t long before Senan and his fellow cured come into conflict with a society unwilling to accept them back.

Who’s it for?

The Cured is rated 15 for strong violence, gore, threat and language. It’s not quite as violent as most other zombie movies I’ve seen and much of the horror is implied. Fans of the genre will find the bloodiness satisfactory while newcomers shouldn’t be put off by it.

Who’s in it?

Sam Keeley plays protagonist Senan, while Ellen page takes the role of his sister-in-law Abbie. Tom Vaughan-Lawlor (Ebony Maw in Avengers: Infinity War, which was news to me) plays Conor, a fellow member of the Cured with an agenda. It’s a small but capable cast.

The good stuff

This is a smarter zombie movie than many others in the genre. Granted, most contemporary films about the brain-munchers usually try to put a fresh spin on things (unless it’s The Walking Dead) and some succeed, but I liked the fact that this one focused on an entirely new aspect of it all – what happens to those who are cured of the infection. I thought the whole concept of them actually remembering what they did in their zombie state was particularly chilling, and it’s a premise that becomes increasingly significant as the film goes on. This is a well-written, well-acted movie with shades of 28 Days Later and The Last of Us in there at times. Some scenes are genuinely scary, too. And if the writers didn’t intend for it to be an allegory of historical Irish political unrest, they certainly stumbled into it anyway.

The not so good stuff

There isn’t much to say about this movie that’s overly negative. It was clearly made on a smaller budget than other zombie movies (like the big-money World War Z, for instance) and so it doesn’t have very many big action sequences or huge amounts of zombie screen time. Some of the plot is quite predictable and the ending’s a bit of a let-down, but if you take it at face value and are happy with a slower-burning zombie flick, I doubt you’ll mind.

The bottom line

I enjoyed The Cured – it’s a good casual watch and perfect for Netflix viewing. It won’t win too many new fans to the zombie genre, but it’s a fresh enough twist on the long-running horror premise to merit a watch. Catch it while you can.

Verdict: (4 / 5)

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