5. The King’s Speech (8.0)

The winner of the 2011 Best Picture award concerns Britain’s King George VI (Colin Firth) working with speech therapist Lionel Logue (Geoffrey Rush) to overcome his stammer and allow him to deliver his messages to the people of the UK and those in high positions with his own voice.

Despite some critics calling it Oscar bait, The King’s Speech charmed audiences. Not only scoring an 8 on IMDb but also becoming the highest-grossing British independent film of 2011. Initially, it was also involved in controversy because the BBFC gave the film a 15 certificate due to strong language. Despite the swearing serving the point of helping King George through his stammer. Ultimately thanks to the distributor’s appeal, the BBFC re-rated the film as a 12a. It also won Best Director for Tom Hooper, Best Actor for Colin Firth, and Best Original Screenplay for David Seidler.

4. Spotlight (8.1)

2016’s best picture recipient deals with another story based on true events. This time looking at several reporters working for the Boston Globe. Who uncover a series of child abuse crimes within the catholic church.

Spotlight was the first Best Picture winner since The Greatest Show on Earth to only win one other award at the ceremony. The other being Best Original Screenplay for Josh Singer and Tom McCarthy. It also was viewed as a surprise win, with many believing The Revenant would take the award home. Spotlight may have been a surprise winner but its high audience rating and great reviews from many critics show that it’s still something special.

3. 12 Years a Slave (8.1)

Steve McQueen’s dark drama is about the horrors experienced and witnessed by Solomon Northup (Chiwetel Ejiofor), a free man of colour living in New York who is captured, sold into slavery and must spend 12 years trying to survive.

12 Years a Slave was not only well-received by critics and general audiences but it also marked the first time that a film made by a black director won Best Picture. And it also earned statues for John Ridley’s screenplay and Lupita Nyong’o’s supporting performance. Showing that while 12 Years a Slave was a hard watch, it was also impactful and important.

2. Green Book (8.2)

Undoubtedly the most controversial Best Picture winner of the past decade. The story follows Tony Lip (Viggo Mortensen) who makes friends with Dr. Donald Shirley (Mahershala Ali) as he ferries him around the southern United States in the 1960s, ensuring he is safely able to play music at venues.

Green Book received several negative responses upon its release for its dated use of the white saviour narrative to tell the story of African American persecution. But it became even more controversial when it won the Best Picture Oscar, even though films from prominent black filmmakers like Spike Lee (BlacKkKlansman) and Ryan Coogler (Black Panther) were also nominated. Although Green Book clearly won over many, as evidenced by its award wins (also winning Best Original Screenplay for Nick Vallelonga, Brian Hayes Currie, and Peter Farrelly and Best Supporting Performance for Mahershala Ali), and IMDb rating, its win remains an embarrassing moment for the modern film industry.

1. Parasite (8.6)

This South Korean masterpiece focuses on the relationship between two families, the rich Parks, and the poor Kims. Asking many pointed questions about class and inequality in an odd, funny, dark, and enthralling way.

Parasite, the highest-rated Best Picture winner of the decade is also one of the highest-rated Best Picture Winners of all time on IMDb and was a trailblazer in so many ways. It was the first foreign-language film to win Best Picture, on top of winning Best International Film, Best Original Screenplay for Bong Joon-ho and co-writer Han Jin-won and Best Director for Bong Joon-ho. Along with this, it became the highest-grossing foreign-language film of all time in the UK. And despite the many controversies with the Academy Awards these past 10 years, seemingly all agree that Parasite deserved to win.

This ends our brief look back at the highest-rated Best Picture winners of the past 10 years. What is your favourite Best Picture winner from the past decade? Let’s hope that the next 10 years bring more Best Picture winners that audiences will love.

Also Read: Parasite Director Bong Joon-Ho Once Described The Oscars As Very Local

The post The Top 5 Best Picture Winners at the Oscars in the Past Decade – According to IMDb appeared first on Big Picture Film Club.

The search for a new life

She’s still very young but she has already been through so much. Victoria ( Francesca Hayward) is being abandoned by her parents and now finds herself in London all by herself. At first, she’s being looked at with a lot of contempt by other cats. They doubt if she’s one of them, one of the “Jellicles” cats, but after accepting her (until a certain degree), they invite her to the Jellicle Ball. During that annual ball, many cats can compete to go to a place known as the Heaviside Layer to undergo reincarnation. The winner is being crowned by the leader of the tribe, Old Deuteronomy (Dame Judi Dench). A whole new world is opening in front of Victoria. One that she discovers alongside magician Mr. Mistoffelees (Laurie Davidson) and guardian of the “Jellicles” cats Munkustrap (Robbie Fairchild).

She meets many cats who each have their unique talent. You have Jennyanydots (Rebel Wilson), Rum Tum Tugger (Jason Derulo), Bustopher Jones (James Corden) and Gus (Sir. Ian McKellen). Sadly, not everyone is welcome as Grizabella (Jennifer Hudson), who once was a well-respected cat, is now being treated with a lot of fear and disgust. The big evening is about to arrive and so everyone’s ready to show off their talent but that’s not to the liking of the “Moriarty amongst the cats” Macavity (Idris Elba) as he wants to be the winner himself. He will do everything in his power to get rid of his competitors…

Cast by name and not by the (right) talent

When watching a film that’s based on a musical, you expect the performers to dance and sing their hearts out. Well, let us tell you. That doesn’t happen at all in Cats. We’re not saying that the cast isn’t talented (respect for both the A-listers as well as the newcomers) but most of them were cast for the wrong reasons. The two biggest casting mistakes are without a doubt Dench (Murder on the Orient Express) and McKellen (The Good Liar). They’re both esteemed actors but they just don’t fit in Cats. Their voices don’t match the songs and due to the terrible special effects, they can’t put their great acting on display. The result: Cringing moments and a waste of talent.

That putting celebrity names on the poster was more important than finding the right actors for the job is being proved by casting Elba (Molly’s Game) as Macavity and Taylor Swift as Bombalurina. In the original work, Macavity is a ginger cat that oozes evil and danger. Certainly not a dark-skinned (no offence here) one that brings even more funniness to the work. Oh and didn’t Swift her character hate Macavity in the poems? Well, not according to Hooper and his team.

There were some great casting choices in the film as well. The best one is certainly Fairchild as Munkustrap. He brings emotions, elegance, and class to this movie and it’s clear that he already had musical experience from his days when he performed in An American in Paris – The Musical. More magic and fun is brought to the screen by the very charming and delightful Davidson (Will). That Magical Mr. Mistoffelees song is one of the most captivating moments of the film. Cats also introduces us to the ballet dancer Hayward and she shines in her first full-length feature film. Hudson (All Rise) is the only one that could give us goosebumps during this film by signing Memory.

Special effects that aren’t special

The reason why the story, its touching vibe and the acting performances don’t come through is because of the special effects. It’s just too weird to see Dench as a cat (especially because it seems she’s wearing a collar) and making from the coloured Hayward a white cat just doesn’t do the trick at all. Also Wilson her cat taking off an extra layer of skin by unzipping it? Nope, Cats isn’t always eye-candy.

Not totally cat-astrophic

Do you need to see Cats or not? The question isn’t that simple to answer. They’re flaws when it comes to the characters, special effects, and casting but it’s certainly not like you waste one of the nine lives watching this film. The dancing, the signing of Hudson and that little spark of magic are the few elements that keep Cats alive.

Rating: (2 / 5)

Also Read: How To Revive A Franchise After Many Years

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