<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Ann Freedman Archives - Big Picture Film Club</title>
	<atom:link href="https://bigpicturefilmclub.com/tag/ann-freedman/feed/" rel="self" type="application/rss+xml" />
	<link>https://bigpicturefilmclub.com/tag/ann-freedman/</link>
	<description>Film &#38; TV News, Movie Reviews &#38; Events</description>
	<lastBuildDate>Sun, 29 Sep 2019 21:00:21 +0000</lastBuildDate>
	<language>en-GB</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	

<image>
	<url>https://bigpicturefilmclub.com/wp-content/uploads/2016/12/cropped-Big-Picture-Film-Club-Logo-sq-32x32.jpg</url>
	<title>Ann Freedman Archives - Big Picture Film Club</title>
	<link>https://bigpicturefilmclub.com/tag/ann-freedman/</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>Review: Driven to Abstraction</title>
		<link>https://bigpicturefilmclub.com/review-driven-to-abstraction/</link>
		
		<dc:creator><![CDATA[Liselotte Vanophem]]></dc:creator>
		<pubDate>Fri, 20 Sep 2019 16:00:40 +0000</pubDate>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Ann Freedman]]></category>
		<category><![CDATA[Daria Price]]></category>
		<category><![CDATA[Driven To Abstraction]]></category>
		<category><![CDATA[Raindance Film Festival]]></category>
		<guid isPermaLink="false">https://bigpicturefilmclub.com/?p=5989</guid>

					<description><![CDATA[<p>Are you an art collector who’s on the lookout for an authentic Pollock, an expressive Monet or a fabulous Motherwell...</p>
<p>The post <a href="https://bigpicturefilmclub.com/review-driven-to-abstraction/">Review: Driven to Abstraction</a> appeared first on <a href="https://bigpicturefilmclub.com">Big Picture Film Club</a>.</p>
]]></description>
										<content:encoded><![CDATA[
<p>Are you an art collector who’s on the lookout for an authentic Pollock, an expressive Monet or a fabulous Motherwell or are you a lover of fine artwork? Then you should check out the thought-provoking and interesting documentary from director Daria Price (<em>Out on a Limb, Survival of the Fittest</em>). You will be (re)introduced to one of the most intriguing, well-known and unbelievable cases of forgery fraud the art industry has ever known: The Ann Freedman case.</p>



<div style="height:20px" aria-hidden="true" class="wp-block-spacer"></div>



<h3 class="wp-block-heading">Was it greed or naivety? </h3>



<div style="height:20px" aria-hidden="true" class="wp-block-spacer"></div>



<p>It all started in 2011 when the highly regarded art gallery Knoedler announced that after being in the art business for 165 years, it would close its doors. Most people in the art world were very astonished when that news hit the papers apart from some who knew what was going on: Knoedler and its president Ann Freedman were sued for art forgery.  After literally trying to buy her way out of this, Freedman’s case got even more attention but not in the most positive way. Art dealers and advisors but also journalists and buyers start keeping an extremely close eye on Knoedler and Freedman. </p>



<p>When there are no shipping papers, no contracts with the buyers or no exhibition records of the paintings, then you know something is off. But how much did Ann Freedman know? Was she aware that the painting she sold for a multi-dollar budget were fake or was she victim of a con artist just like the buyers themselves? Did she handle out of greed or out of naivety?</p>



<div style="height:20px" aria-hidden="true" class="wp-block-spacer"></div>



<h3 class="wp-block-heading">The destruction of Knoedler in every way possible</h3>



<div style="height:20px" aria-hidden="true" class="wp-block-spacer"></div>



<p>In this documentary we get to know what happened (and what not happened) from the people who followed this case from incredibly close by. Whether it’s Michael Shnayerson (Contributing editor for Vanity Fair), Patricia Cohen (reporter of The New York Times), different artists or even Freedman’s attorney Luke Nikas, you’ll get a 360-degree angle of what went on between the uprising of the prestigious new art gallery to its destruction. It doesn’t matter whether you knew about this story beforehand or not, you will certainly gain new, unique and fascinating insides from those first-hand sources.</p>



<p>Because of the worldwide attention this case got, a lot of different and divergent opinions were formed. Which events took place and which were fake just for the sake of attention? Director Price wanted to represent all those different points of view in as many ways as possible and decided to use multiple coverage images. Most of them are interviews with important and respected people so it can feel a little bit repetitive. However, because they all have some exciting and entertaining things to say, <em>Driven to Abstraction</em> is able to keep your attention all the way. Price also used official documents, historic pictures, and newspapers to make sure that there’s a lot of diversity in her latest work. If you into a crime/documentary feature then you will love <em>Driven to Abstraction</em> as this is exactly how it should be.</p>



<div style="height:20px" aria-hidden="true" class="wp-block-spacer"></div>



<h3 class="wp-block-heading">Did she or did she not know? Get the answer at the Raindance Film Festival</h3>



<div style="height:20px" aria-hidden="true" class="wp-block-spacer"></div>



<p>Did the painter who forged the paintings know what was going on? Was Ann Freedman in on the $80 million forgery scandal that shook the art world? What happened to the people who became the victims of Knoedler. <em>Driven to Abstraction</em> will allow you to form your answers to all of these questions. Pretty sure you will be discussing this documentary with your friends and colleagues next time you go for a pint. First, you should stop at the Raindance Film Festival where this fascinating and well-made documentary will be screened on the <a aria-label="Saturday 21st of September and Monday the 23rd of September (opens in a new tab)" rel="noreferrer noopener" href="https://www.raindance.org/festival/schedule-2019/#/event/driven-to-abstraction" target="_blank">Saturday 21st of September and Monday the 23rd of September</a>.</p>



<p>Rating: <img onload="this.setAttribute('data-loaded', true)"  decoding="async" class="usr" src="https://bigpicturefilmclub.com/wp-content/plugins/universal-star-rating/includes/image.php?img=01.png&amp;px=12&amp;max=5&amp;rat=3.5" alt="3.5 out of 5 stars" style="height: 12px !important;" /> (3.5 / 5)</p>



<p>(This review was written for the Raindance Film Festival)</p>



<figure class="wp-block-embed-vimeo wp-block-embed is-type-video is-provider-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper">
<div class="wp-block-embed is-type-video wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"><iframe loading="lazy" title="Driven to Abstraction - Documentary Trailer" src="https://player.vimeo.com/video/327476424?dnt=1&amp;app_id=122963" width="958" height="539" frameborder="0" allow="autoplay; fullscreen; picture-in-picture" allowfullscreen></iframe></div></div>
</div><figcaption>Driven To Abstraction (Official Trailer)</figcaption></figure>



<p><strong><em>Also Read: <a aria-label=" Five Great Films About Filmmaking (opens in a new tab)" href="https://bigpicturefilmclub.com/five-great-films-about-filmmaking/" target="_blank" rel="noreferrer noopener"> Five Great Films About Filmmaking</a></em></strong></p>



<!-- Begin Mailchimp Signup Form -->


	#mc_embed_signup{background:#fff; clear:left; font:14px Helvetica,Arial,sans-serif; width:100%;}
	/* Add your own Mailchimp form style overrides in your site stylesheet or in this style block.
	   We recommend moving this block and the preceding CSS link to the HEAD of your HTML file. */


	#mc-embedded-subscribe-form input{display: inline; width: auto;margin-right: 10px;}
	#mergeRow-gdpr {margin-top: 20px;}
	#mergeRow-gdpr fieldset label {font-weight: normal;}
	#mc-embedded-subscribe-form .mc_fieldset{border:none;min-height: 0px;padding-bottom:0px;}

<div id="mc_embed_signup">

    <div id="mc_embed_signup_scroll">
	<label for="mce-EMAIL">Like this article? Get the latest news, articles and event updates delivered straight to your inbox.</label>
	
    <!-- real people should not fill this in and expect good things - do not remove this or risk form bot signups-->
    <div aria-hidden="true"></div>
    <div class="clear"></div>
    </div>

</div>

<!--End mc_embed_signup-->
<p>The post <a href="https://bigpicturefilmclub.com/review-driven-to-abstraction/">Review: Driven to Abstraction</a> appeared first on <a href="https://bigpicturefilmclub.com">Big Picture Film Club</a>.</p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">5989</post-id>	</item>
	</channel>
</rss>
